LA FRESCOBALDA PDF

Mell FAQ If you want to know how to change your password or how to add an item to a completed order or the answer to many other questions, then check our updated FAQ page! I have heard others played as part of this piece and am wondering whether they were improvised by the performer. In his inimitable way he not only added notes but also changed the melody. Etudes simples Series 1 Zigante Segovia achieved this by raising the 7th and lowering the 6th degrees of the scale in many instances where Frescobaldi would not have intended.

Author:Faum Bragami
Country:Pakistan
Language:English (Spanish)
Genre:Sex
Published (Last):21 September 2010
Pages:158
PDF File Size:17.13 Mb
ePub File Size:5.90 Mb
ISBN:397-4-29897-480-5
Downloads:46522
Price:Free* [*Free Regsitration Required]
Uploader:Mulmaran



PERFORMANCE NOTES The choices to make when dealing with a piece such as the "aria called la frescobalda" concern many aspects of the art of piano playing; in the first place we must consider that this piece was not conceived for the piano, but for the organ and therefore we will never be able to produce a valid imitation with our instrument, even though we must always take into consideration the original sounds for which the piece was intended.

In second place, the other important aspect concerns the knowledge of Renaissance and Baroque dances, which must be used as a fundamental basis when choosing speeds and dynamics.

In the piece there are also melodic and polyphonic sections in which we must prioritize the comprehensibility and the cantabile, both so dear to Frescobaldi composer and keyboardist. Having said that, in the initial air I tried to bring out not only the cantabile mood but also the rhythmic tension that appears in the theme, only just hinted, to highlight the double nature of the variations that follow.

I chose to play the first of these variations in moderate time and with a certain softness of sound, that should allow an easy comprehension of the counterpoints.

Then I thought of performing the second variation, that is the first of the two dances, in a faster moving time and with a strong rhythmic character, as indicated in the various descriptions of the Gaillard. Still a moderate movement, but slightly smoother for the third variation, of melodic and polyphonic character, this time with some rallentando in the phrase closings, compatibly with the frescobaldian rules for the performance of his compositions as reported below.

The last variation and second dance is a current of the French type, to which I wished to give again a distinctly rhythmic, smooth and decisive character.

The Last personal choice, considering the organistic origin of the piece, was to place this performance in a wide acoustic ambience, to guarantee the support and duration of the different harmonies that alternate during the piece. Tullio Forlenza.

AOTC COURSEWARE PDF

Girolamo Frescobaldi

By using this site, you agree to the Terms of Use and Privacy Policy. Media related to Girolamo Frescobaldi at Wikimedia Commons. Although Frescobaldi was influenced by numerous earlier composers such as the Neapolitans Ascanio Mayone and Giovanni Maria Trabaci and the Venetian Claudio Merulohis music represents much more than a summary of its influences. Amazon Music Stream millions of songs. Amazon Restaurants Food delivery from local restaurants. Some recordings take 3 minutes, some take closer to 9- do the former omit the variations or is it a matter of frescobalad, tempiTerms and conditions apply.

CLARK FORKLIFT REPAIR MANUAL PDF

Aria detta la Frescobalda, F 3.32 (Frescobaldi, Girolamo)

PERFORMANCE NOTES The choices to make when dealing with a piece such as the "aria called la frescobalda" concern many aspects of the art of piano playing; in the first place we must consider that this piece was not conceived for the piano, but for the organ and therefore we will never be able to produce a valid imitation with our instrument, even though we must always take into consideration the original sounds for which the piece was intended. In second place, the other important aspect concerns the knowledge of Renaissance and Baroque dances, which must be used as a fundamental basis when choosing speeds and dynamics. In the piece there are also melodic and polyphonic sections in which we must prioritize the comprehensibility and the cantabile, both so dear to Frescobaldi composer and keyboardist. Having said that, in the initial air I tried to bring out not only the cantabile mood but also the rhythmic tension that appears in the theme, only just hinted, to highlight the double nature of the variations that follow. I chose to play the first of these variations in moderate time and with a certain softness of sound, that should allow an easy comprehension of the counterpoints.

FANSADOX COLLECTION 207 THE GROVE ROBERTS PDF

LA FRESCOBALDA GUITAR PDF

.

BEDIENUNGSANLEITUNG SIEMENS EUROSET 5020 PDF

More by Girolamo Frescobaldi

.

Related Articles